{"id":312663,"date":"2026-06-26T07:05:00","date_gmt":"2026-06-26T11:05:00","guid":{"rendered":"https:\/\/electricliterature.com\/?p=312663"},"modified":"2026-06-24T11:29:00","modified_gmt":"2026-06-24T15:29:00","slug":"in-these-queer-books-animals-take-on-a-mythical-importance","status":"publish","type":"post","link":"https:\/\/electricliterature.com\/in-these-queer-books-animals-take-on-a-mythical-importance\/","title":{"rendered":"In These Queer Books, Animals Take on a Mythical Importance"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">When my friend and I planned to have a child together via IVF, we jokingly called her a baby fish, a salmon fry. A Fry is a stage in the salmon life cycle, after alevin but before parr, when the fish must begin to feed itself and swim free. This is a stage where they are most vulnerable to predators, birds, and larger fish, including larger salmon of the same species. While calling our future-kid a fish began as a joke, the vulnerability and brutality of fish-life seemed to me like a perfect metaphor for trying to have a kid when the only salmon we could afford was farmed, a process that I knew brought ecological destruction to wild fish populations. When the IVF process suddenly fell apart and I was left, again, with a childless future, my could-have-been child appeared to me as a fish; she was not a metaphor, she lived alongside me, she spoke to me, we went swimming in the Rockaways, I kept a tank of salt water by my bed.\u00a0<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/bookshop.org\/a\/269\/9781639737833\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"678\" height=\"1024\" src=\"https:\/\/electricliterature.com\/wp-content\/uploads\/2026\/06\/image-6-678x1024.png\" alt=\"\" class=\"wp-image-312664\" style=\"width:300px\" srcset=\"https:\/\/electricliterature.com\/wp-content\/uploads\/2026\/06\/image-6-678x1024.png 678w, https:\/\/electricliterature.com\/wp-content\/uploads\/2026\/06\/image-6-199x300.png 199w, https:\/\/electricliterature.com\/wp-content\/uploads\/2026\/06\/image-6-768x1161.png 768w, https:\/\/electricliterature.com\/wp-content\/uploads\/2026\/06\/image-6-600x907.png 600w, https:\/\/electricliterature.com\/wp-content\/uploads\/2026\/06\/image-6.png 794w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">As a queer writer, grief came out in my book <a href=\"https:\/\/bookshop.org\/a\/269\/9781639737833\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Spawning Season<\/em> <\/a>as an animal. Perhaps this should not have been a surprise given the books I\u2019d been reading, the queer novels and essays and memoirs, all otherwise realist texts, in which animals become more than metaphor. They speak, they are guides, they are demons, they carry the souls of those we lost, those we never had, they allow us, even within large cities, to commune with nature. In these books by queer writers, animals play an essential, mythical role, inextricable from the narrator or the story. Queer writers, I think, often confound the bounds of realism\u2014in literary fiction and nonfiction\u2014in stunning and surprising ways. In these books, that surprise came in the form of the animal.&nbsp;<\/p>\n\n\n\n<script src=https:\/\/bookshop.org\/widgets.js data-type=\"featured\" data-full-info=\"true\" data-affiliate-id=\"269\" data-sku=\"9780544671874\"><\/script>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/bookshop.org\/a\/269\/9780544671874\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Edinburgh <\/em><\/a>by Alexander Chee<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">In Alexander Chee\u2019s gut-punch of a first novel, <em>Edinburgh<\/em>, we follow Fee, a young Korean-American kid who finds transcendence through music and his voice. When this site of freedom turns rotten with abuse, Fee is bowled over by the complexities of grief. In the prologue, we see the image of the fox, a trickster, the bringer of good and bad luck. The fox in this novel is protection, evasion, a required outlet for a selfhood broken by abuse. The novel itself, Chee writes, is a \u201cfox story.\u201d&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cYears later on streets in New York,\u201d Chee writes, \u201cwomen bustle by me, in fox coats. I want to ask these women, do you ever, in that coat, think you can fly? Do you ever feel, wearing that coat, the thrum of a leg about to let fly?\u201d To this day, when in need of protection, I can feel the fox fur on my arm. A new edition of <em>Edinburgh<\/em>, with a fox on the cover, is due out in October from Mariner Classics.&nbsp;<\/p>\n\n\n\n<script src=https:\/\/bookshop.org\/widgets.js data-type=\"featured\" data-full-info=\"true\" data-affiliate-id=\"269\" data-sku=\"9781616209148\"><\/script>\n\n\n\n<h4 class=\"wp-block-heading\"><em><a href=\"https:\/\/bookshop.org\/a\/269\/9781616209148\" target=\"_blank\" rel=\"noreferrer noopener\">This Is the Only Kingdom<\/a><\/em> by Jaquira D\u00edaz<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">A red-tailed hawk glides, watching, on the cover of Jaquira Diaz\u2019s novel <em>This Is the Only Kingdom<\/em>. The title itself comes from the poem \u201cElegy\u201d in the collection <a href=\"https:\/\/bookshop.org\/a\/269\/9781934414620\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Kingdom Animalia<\/em> <\/a>by Aracelis Girmay. The novel is a story of whether escape\u2014of our circumstances, our hometowns, our families\u2014is possible, and the guaraguao (a red-tailed hawk) returns again and again in the book\u2019s critical moments, as if called out by every gun shot. The guaraguao witnesses, watches, and follows; because the bird can take to the sky, its movement is not limited by our small human condition. As the book\u2019s mystery and violence unfold in tightly lyrical prose, the reader becomes the guaraguao, present but seemingly unable to change the book\u2019s inevitable course. \u201cIn the sky, some kind of bird, a hawk or vulture. Floating, tilting sideways, its body swinging this way, that way. Un guaraguao. The women were singing now, the bird dancing in the sky, swaying to the rhythm of their song.\u201d The human and animal, dancing together, each in their own realm.&nbsp;<\/p>\n\n\n\n<script src=https:\/\/bookshop.org\/widgets.js data-type=\"featured\" data-full-info=\"true\" data-affiliate-id=\"269\" data-sku=\"9781501160349\"><\/script>\n\n\n\n<h4 class=\"wp-block-heading\"><em><a href=\"https:\/\/bookshop.org\/a\/269\/9781501160349\" target=\"_blank\" rel=\"noreferrer noopener\">Why Fish Don&#8217;t Exist<\/a><\/em> by Lulu Miller<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">So many queer writers look at an old category\u2014fish for example\u2014with fresh eyes and force readers to reassess their pre-conceived notions. Lulu Miller, a co-host of Radiolab, does just this in her uncategorizable book <em>Why Fish Don\u2019t Exist<\/em>. Besides an unexpected true crime murder mystery, Miller takes apart why the term \u201cfish\u201d is biologically meaningless. The book shines, though, in moments where the desire, the need, for the coherence of the biology of fish stands in for Miller\u2019s own loss and grief. Ultimately, through Miller and the scientists she profiles, fish represent both our need for control and our absolute lack thereof. Only through fish, it seems, can Miller tell her own story, and see how these underwater animals can actually be perfect, beautiful, in their incoherence. On a swim, \u201c[a] school of silver beings came rushing toward me,\u201d she writes, \u201cbarreling beneath me like a catchable train. I dove down into it. It parted and let me in. Hundreds of silver souls enveloping me.\u201d Only underwater could Miller\u2019s grief, and joy, breathe.&nbsp;<\/p>\n\n\n\n<script src=https:\/\/bookshop.org\/widgets.js data-type=\"featured\" data-full-info=\"true\" data-affiliate-id=\"269\" data-sku=\"9781954118904\"><\/script>\n\n\n\n<h4 class=\"wp-block-heading\"><em><a href=\"https:\/\/bookshop.org\/a\/269\/9781954118904\" target=\"_blank\" rel=\"noreferrer noopener\">Forest Euphoria<\/a><\/em> by Patricia Ononiwu Kaishian<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Patricia Ononiwu Kaishian is a scientist by training and vocation. Maybe it\u2019s my own bias as a scientist and writer, but the two fields seem like vastly different approaches to one fundamental desire: to look closely at the world, at living things, and to understand. Working scientists and writers both know, however, that the best and most profound answers only open new questions, and writing, like science, like life, simply iterates. Kaishian brings this sensibility of searching to her incredible memoir-in-essays, where she weaves together her childhood and path toward science as a profession with a stark discussion of how different types of knowledge become, or are withheld from, scientific inquiry. Throughout, plants and animals (and fungi and bacteria) speak their own stories\u2014mushrooms, snakes, turtles, frogs, and crows. \u201cLike corvids, humans are generalists,\u201d Kaishian writes, \u201cAll around the world, this has led to creation stories and cosmologies in which corvids are centered as teachers, offering wisdom and instruction to humans who are struggling to adjust.\u201d<\/p>\n\n\n\n<script src=https:\/\/bookshop.org\/widgets.js data-type=\"featured\" data-full-info=\"true\" data-affiliate-id=\"269\" data-sku=\"9781644450895\"><\/script>\n\n\n\n<h4 class=\"wp-block-heading\"><em><a href=\"https:\/\/bookshop.org\/a\/269\/9781644450895\" target=\"_blank\" rel=\"noreferrer noopener\">Voice of the Fish<\/a><\/em> by Lars Horn<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Lars Horn\u2019s essay collection, <em>Voice of the Fish<\/em>, considers the body as a site of memory, and aquatic bodies become essential to his understanding of his own. Fish can live for hundreds of years, a living history text; in the 1800s, a fish was caught with a religious scroll preserved in its belly. From his childhood, when Horn\u2019s mother took photoshoots of him in a bathtub full of squid, to his adulthood, where swimming became a site of refuge, fish became a source of knowledge and of confounding mystery at the same time. \u201cPast a certain age,\u201d Horn writes, \u201cmy own reflection became increasingly difficult to look at. So, I didn\u2019t. I looked out. Around. At others. Animals. Trees.\u201d This impulse to see the humanity of other things, and the animal in the human experience, makes Horn\u2019s book a meditation on a messy life, the only kind of life possible.&nbsp;<\/p>\n\n\n\n<script src=https:\/\/bookshop.org\/widgets.js data-type=\"featured\" data-full-info=\"true\" data-affiliate-id=\"269\" data-sku=\"9781947793835\"><\/script>\n\n\n\n<h4 class=\"wp-block-heading\"><em><a href=\"https:\/\/bookshop.org\/a\/269\/9781947793835\" target=\"_blank\" rel=\"noreferrer noopener\">Mostly Dead Things<\/a><\/em> by Kristen Arnett<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Reeling from the suicide of her father, Jessa struggles to keep her family\u2019s taxidermy business alive. The scenes of Jessa working with dead animals take on an almost meditative, religious meaning as she struggles with the senselessness that keeps creeping into her life. The animals\u2014alligators, peacocks, badgers and rabbits\u2014provide the tension between life and death, between blood and guts, the mess of a life, and struggling to \u201cmake sure the floor stayed clean.\u201d Although many of the animals in the book are indeed dead, it is their breath that pulses through the narrative. \u201cI just wanted [an animal] that I could hold,\u201d Arnett writes, \u201csomething that would move and breathe and reciprocate my affection.\u201d Queerness can make affection so tense, so complicated, that only an animal might be able to offer a safe embrace.&nbsp;<\/p>\n\n\n\n<script src=https:\/\/bookshop.org\/widgets.js data-type=\"featured\" data-full-info=\"true\" data-affiliate-id=\"269\" data-sku=\"9780316588195\"><\/script>\n\n\n\n<h4 class=\"wp-block-heading\"><em><a href=\"https:\/\/bookshop.org\/a\/269\/9780316588195\" target=\"_blank\" rel=\"noreferrer noopener\">Hemlock <\/a><\/em>by Melissa Faliveno<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">In this novel by Melissa Faliveno, Sam returns to a family cabin in Northern Wisconsin where, even in spring, \u201cthe light left early and the dark stayed long.\u201d The cabin itself is falling apart, and so too is Sam, newly sober but infected, perhaps, by a dark inheritance. Questions of rot, of family, of light and dark and without and within swirl in this seductive novel. As Sam becomes isolated, the residents of the woods speak up. \u201cWhen the deer first spoke to her, she was sure she was hallucinating,\u201d Faliveno writes. In a novel with so much human isolation, the doe becomes a main character as Sam struggles with and within herself. When Sam reprimands the doe for telling her what to do\u2014to dump out a beer and attempt sobriety again, the deer responds: \u201cYour mother is gone. And she couldn\u2019t tell you what to do either. She didn\u2019t even know what to do herself.\u201d If Sam will make it out of these woods, the doe may well be her guide, a voice coming from a part of herself made external, other, and animal.&nbsp;<\/p>\n\n\n\n<script src=https:\/\/bookshop.org\/widgets.js data-type=\"featured\" data-full-info=\"true\" data-affiliate-id=\"269\" data-sku=\"9781543227918\"><\/script>\n\n\n\n<h4 class=\"wp-block-heading\"><em><a href=\"https:\/\/bookshop.org\/a\/269\/9781543227918\" target=\"_blank\" rel=\"noreferrer noopener\">Moby Dick <\/a><\/em>by Herman Melville<\/h4>\n\n\n<aside class=\"related-content-block alignright no-title\">\n    \t\t\t\t\t<article class=\"post-box\">\n\t\t\t\t\t<a href=\"https:\/\/electricliterature.com\/flash-fiction-by-christopher-hyun\/\">\n\t\t\t\t<div class=\"post-box-info\">\n\t\t\t\t\t<h2>A Taxonomy of Gay Animals<\/h2>\n\t\t\t\t\t<!-- <p>A flash fiction debut by Christopher Hyun<\/p> -->\n<!-- temp without tags -->\n\t\t\t\t\t<p>A flash fiction debut by Christopher Hyun<\/p>\n\t\t\t\t\t<div class=\"post-box-lower\">\n\t\t\t\t\t\tApr 3\t\t\t\t\t\t\t\t\t\t\t\t\t&#8211; <span>Christopher Hyun<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"post-box-image\">\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"post-box-category\">Prose<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<!-- blah -->\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"347\" src=\"https:\/\/electricliterature.com\/wp-content\/uploads\/2023\/04\/richard-lee-xWQcud4Xtr4-unsplash-3-768x416.jpg\" class=\"attachment-medium_large size-medium_large wp-post-image\" alt=\"\" srcset=\"https:\/\/electricliterature.com\/wp-content\/uploads\/2023\/04\/richard-lee-xWQcud4Xtr4-unsplash-3-768x416.jpg 768w, https:\/\/electricliterature.com\/wp-content\/uploads\/2023\/04\/richard-lee-xWQcud4Xtr4-unsplash-3-600x325.jpg 600w, https:\/\/electricliterature.com\/wp-content\/uploads\/2023\/04\/richard-lee-xWQcud4Xtr4-unsplash-3-300x163.jpg 300w, https:\/\/electricliterature.com\/wp-content\/uploads\/2023\/04\/richard-lee-xWQcud4Xtr4-unsplash-3-1024x555.jpg 1024w, https:\/\/electricliterature.com\/wp-content\/uploads\/2023\/04\/richard-lee-xWQcud4Xtr4-unsplash-3-1536x833.jpg 1536w, https:\/\/electricliterature.com\/wp-content\/uploads\/2023\/04\/richard-lee-xWQcud4Xtr4-unsplash-3-2048x1110.jpg 2048w, https:\/\/electricliterature.com\/wp-content\/uploads\/2023\/04\/richard-lee-xWQcud4Xtr4-unsplash-3-111x60.jpg 111w, https:\/\/electricliterature.com\/wp-content\/uploads\/2023\/04\/richard-lee-xWQcud4Xtr4-unsplash-3-166x90.jpg 166w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/>\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t<\/article>\n\n\t<\/aside>\n\n\n<aside class=\"related-content-block alignright no-title\">\n    <\/aside>\n\n\n\n<p class=\"wp-block-paragraph\">I only read <em>Moby Dick<\/em> recently, as a middle-aged bisexual man, and, wow, it\u2019s the gayest book I\u2019ve ever read. I\u2019m glad I didn\u2019t attempt it as a pre-queer high school kid, as so much of the queerness of the text\u2014not the subtext, the text itself\u2014might not have landed for me. I don\u2019t know how to write a list about queer animal books without including <em>Moby Dick<\/em>, in which Melville details the ill-fated search for Ahab\u2019s white whale, famously a fish. From the opening scene of Ishmael sharing a bed with Queequeg and waking as \u201chis wife\u201d to the orgasmic definitely-not-sex the whalers share as they extract spermaceti from the head of a sperm whale by sperm squeezing, not only does the white whale represent the hubris of man against nature, but the all-male ship becomes a space wherein the desire for touch becomes not just allowed but a part of the labor:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201cSqueeze! Squeeze! Squeeze! All the morning long; I squeezed that sperm till I myself almost melted into it; I squeezed the sperm till a strange sort of insanity came over me; and I found myself unwittingly squeezing my co-laborers\u2019 hands in it, mistaking their hands for the gentle globules.\u201d<\/p>\n<\/blockquote>\n<\/blockquote>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"wp-block-paragraph\">There are two wolves inside me, and they are both gay, and their names are Ishmael and Queequeg.&nbsp;<\/p>\n\n\n\n<script src=https:\/\/bookshop.org\/widgets.js data-type=\"featured\" data-full-info=\"true\" data-affiliate-id=\"269\" data-sku=\"9780316540506\"><\/script>\n<\/div><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><em><a href=\"https:\/\/bookshop.org\/a\/269\/9780316540506\" target=\"_blank\" rel=\"noreferrer noopener\">How Far the Light Reaches<\/a><\/em> by Sabrina Imbler<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Ever curious and endlessly probing, Sabrina Imbler\u2019s <em>How Far the Light Reaches<\/em> is a memoir told through close examination of sea creatures: gold fish, octopus, sturgeon, bobbitt worm. Through telling these stories of the natural world, Imbler is able to narrate their childhood, their life, the forces that invariably shape us, so many of which are out of our control. Imbler\u2019s writing about animal life is tender, intimate. \u201cImagine you are something like a snail . . . You are not a fast swimmer, but you make do, bobbing around the blue and sealing off your body in spiraled chambers that buoy you up and down the water column.\u201d I can feel myself move with the water. In a recent interview for Orion Magazine, Imbler explained, \u201cI found it far easier to find empathy and tenderness for animals like fish than I did with former versions of myself.\u201d&nbsp;This reaching outward, toward animals, to find love for our own queer selves, given a world that constructs disgust around our touch and identities, undergirds all these books. Given how cruel humans can be, indeed are, to queer and trans people, it is no wonder we give voice and witness to other creatures\u2014a fox, a fish\u2014that we yearn for their protection.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>When my friend and I planned to have a child together via IVF, we jokingly called her a baby fish, a salmon fry. A Fry is a stage in the salmon life cycle, after alevin but before parr, when the fish must begin to feed itself and swim free. This is a stage where they [&hellip;]<\/p>\n","protected":false},"author":7109,"featured_media":312668,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[5647],"tags":[690,6556,6234],"class_list":["post-312663","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reading-list","tag-animals","tag-mythical","tag-queer"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>In These Queer Books, Animals Take on a Mythical Importance - Electric Literature<\/title>\n<meta name=\"description\" content=\"Animals confound the bounds of realism in these stories by speaking, serving as guides or demons, or carrying the souls of others\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/electricliterature.com\/in-these-queer-books-animals-take-on-a-mythical-importance\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"In These Queer Books, Animals Take on a Mythical Importance - Electric Literature\" \/>\n<meta property=\"og:description\" content=\"Animals confound the bounds of realism in these stories by speaking, serving as guides or demons, or carrying the souls of others\" \/>\n<meta property=\"og:url\" content=\"https:\/\/electricliterature.com\/in-these-queer-books-animals-take-on-a-mythical-importance\/\" \/>\n<meta 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